 
Il teatro Ducale a Varese.
The oldest Opera House of the Varese region was founded
around the middle of 1770 on the express wish of Francesco
III d'Este, Lord of Varese. In fact, following the suppression
of the Minorite Monastic Orders it was the Duke of Este who made the
fine monastery of the Hieronymite monks available to the town and
impresarios (this was a building of rare beauty which the citizens
of Varese used to call The Palace.
The desire on the part of the Duke to 'import' Opera into Varese was
not only dictated by his unquestionable passion for the theatre but
was, above all, the ambition to create occasions to entice
the rich and aristocratic Milanese families to come to the town, families
which sojourned from March to October in the magnificent villas
in the environs of the town, such as on the Colle
di Biumo. [Hill of Biumo]. This was in fact the period
in which Varese was a 'resort' for an elite tourism and Francesco
III, evidently, had wanted to established profitable relations and
secret alliances - the 'accomplice' being an opera or perhaps a game
of cards in the foyer of the theatre.
The first opera in the Monastery of the Hieronymites was held in October
1776 when a certain Signor Bianchi, "Milanese", staged The Island
of Alcina , a successful opera by Giuseppe Gazzaniga based on
the libretto by Giovanni Bertati. The place which staged the opera
was still not called the "Teatro Ducale" but the "Teatro della Ducal
Signoria" [Theatre of the Ducal Seigniory], perhaps because the real
theatre was not yet ready or perhaps because for the occasion a large
room of the suppressed monastery had been used. It was only in 1779
that one began to talk about the Ducal Theatre. However, it is not
clear if a special building was erected on the land owned by the Hieronymites
or if, and perhaps more probably, the work of adapting the ex-monastery
had been finished.
Irrespective of its nature as a permanent theatre or as a transitory
solution, the fact is that the Ducal Theatre was officially inaugurated
in October 1779 with a "very new" comic opera by Antonio
Salieri.
From this point on - and up until 1790 when the Ducal Theatre was
closed and the decision was made to construct a larger building, capable
of satisfying the towns renewed needs - the Theatre was used to stage
at least two comic operas a year, during the Autumn when the concentration
of 'tourists' was at its height.
A gaming room and wine-shop were kept open during the performances,
following a consolidated habit of eighteenth-century theatres.
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